A New Easel and a New Painting (WIP)

I started another pear study.  This time in brown.  I'm still using the Holbien paints.  I'm getting spoiled.  I don't think I can go back to the W&Ns.  I didn't get to finish this study in one sitting as we ended up opening our presents and then had to get ready to go over to my sis-in-law's house for dinner.   

I ended up placing my mixed palette and my brushes in a Masterson Air-Tight Palette Seal.  I snapped the blue cover all around and I'm hoping the paints and brushes will remain moist until I'm ready to paint again...hopefully in the next two days or so.   I will report back the results later.  

I think I'm going to call this painting 'Chocolate Pears'.  My palette looks like a range of dark chocolate to milk chocolate.  Yummy!

Chocolate Pears on my new easel

My hubby bought me a floor standing easel for Christmas!  While I was painting upstairs, he was downstairs putting it together.  There was an included leaflet that contained diagrams of the easel, but no instructions.  He mentioned it was a bit tricky.  He did a great job!

Now, I have two places to paint.  Here in the main level, there is plenty of daylight I would like to take advantage of.  So, I think I'll paint here during the weekends (in the corner between two windows).  I'll be able to use my large glass palette (pre-cut glass from Home Depot) for the larger canvas.  

My new Mabef H-frame easel!

I'm looking forward to another long weekend to paint!

My Grisaille Study...Pears & Using New Paints

I've been spending some time doing research on underpaintings.  I've read that beginners should learn to paint the indirect method or grisaille versus the direct method (alla prima).  I haven't been too happy with the results of my direct method painting.  I decided a new adventure was in order.  I do enjoy challenges.

I spent four hours today in painting bliss.  I turned on the radio and dialed into a local classical music station.  I got into my painting zone and had some fun.  Here's the result after four hours and eight paint brushes later:

Pear Study (WIP)

I am quite happy with the results.  At the last minute, I decided to try out my new Holbien Duo Aqua Oils. Out of the tube, the paint was buttery and consistent across the colors.  The Ultramarine blue had some excess oil as it came out of the tube.  No worries.

I started out using my normal W&N Artisan Yellow Ochre mixed with a bit of thinner to create a light wash.  I did a quick sketch on the canvas paper taped to a hard board:

Quick sketch with a yellow ochre wash

I painted in the values for the pears as well as setting up the background:  

Painting the gray values on the pears

I continued painting the values for the background:

Painted background values

I blended the values on the pears:  

Here's my palette of colors.  I used Ceramic White, Ultramarine Blue, and Burnt Umber.  I mixed the Ultramarine Blue and Burnt Umber to get a dark gray color.  Then I added white for the next two values.

I really enjoy using the artist quality Holbien Duo Aqua Oils.  Used straight out of the tubes, they mixed well.  Consistent creamy/buttery feel.  I noticed I was getting better coverage on my canvas paper with the Holbien versus the W&N Artisan paints I've been using.


Life is good!

Water Miscible Oil Paints (WMOs)

When the thought of painting with oils popped into my head, I knew this would be an interesting adventure for me.  I had visited a studio in Old Town and watched several artists painting with oils.  I was intrigued, captured, and just in awe of their masterpieces.  I noticed there were various levels of skills.  A few artists invited me closer to inspect their work of art and told me their stories.  They invited me to sign up for the classes/workshops (waiting list).  At that point, I felt like I was surrounded by an extended family.  That was a wonderful experience for me.

If I was to get into oil painting, I knew there would be some "issues" to deal with.  I've heard about mediums or thinners that have strong odors and could potentially be a fire hazard (e.g. using rags for clean up).  My designated studio area is part of the living area in our house and it would be hard to ventilate/open windows in the middle of winter.

I did some research over the Internet and came up with a solution...Water Miscible Oils or WMOs.  Also known as Water Mixable Oils.  I won't be going into details about the chemical makeup of these oils, but I do want to mention that these oils are great to paint with and also easy to clean up.  WMOs are made from modified binders and with the resulting formula there is no need to use turpentine or mineral spirits.  They say you can mix water with these oil paints, but I prefer not to.  Instead I use the modified Linseed oil or Thinner from the same manufacturer for the WMOs.  No harmful fumes to deal with.  The WMOs handles and paints just like traditional oil paints.

I am currently using Winsor and Newton's Artisan WMOs.  Some artists say these are student grade paints while others consider them to be close to artist grade.  I've seen reference to being economically priced...which they are.  I bought a set of these at Michael's to try out.  Thank goodness for coupons.  The set came with basic colors.  I've learned to use the three primary colors (red, blue, and yellow) and then mix them to create the other colors.  I also purchased the Artisan Thinner.  I'm glad I did.  I have found certain colors to be quite stiff right out of the tubes.  Mixing the stiff paint with a bit of thinner creates a creamier mixture.

The Artisan paint colors that are stiff out of the tubes are:  Titanium white, Zinc white, and Lemon Yellow.  Typically when I mix another color that is creamy with the stiff paint, the mixture becomes creamy as well.

They dry to the touch within 2 to 12 days depending on the colors used.

As I mentioned before, clean up is really easy.  I use Palmolive Clear dishwashing soap to clean my brushes and my acrylic palette and rinse with warm water.

My well used W&N Artisan WMOs come in 40 colors (England)

Another brand of WMO is Cobra by Royal Talens, recently introduced in 2010.  I purchased a set on sale.  I've heard these are artist grade paints and are consistently creamy out of the tubes.  They are probably in the mid-range as far as price.  

Cobra by Royal Talens in 70 colors (Dutch)

Here is the most expensive WMOs...Holbien Duo Aqua Oils.  To my surprise, I found these at my local art shop.  I first saw them online and have found many artists love using the Holbiens.  They are considered artist/professional grade paints with high pigment content.  Out of the tube, I've read they are buttery and consistent.  They dry in about 24 hours.  I really believe that depends on the colors used and if mixed with modified linseed oil.  I think it would dry a bit longer than advertised.  I couldn't resist picking up a few tubes to try.  It doesn't hurt to try, right?

Holbien Duo Aqua Oils available in 80 colors (Japan)

Now, for the not so expensive paints, I present Lukas Berlin.  Dries to touch in 2 to 4 days.  I've heard mixed reviews as to whether they are student or artist grade paints.  They have a buttery texture consistently out of the tube.  For the price, I have to give them a try.  As far as availability, I've found these at Jerry's Artarama.

Lukas Berlin WMOs available in 30 colors (Germany)

I will be updating this post from time to time as I start to use these brands of WMOs and provide comments, likes, dislikes, and recommendations.